Frank Rich on "Fahrenheit"
Michael Moore's Candid Camera
"But why should we hear about body bags, and deaths, and how many, what day it's gonna happen, and how many this or what do you suppose? Or, I mean, it's, it's not relevant. So why should I waste my beautiful mind on something like that? And watch him suffer."
- Barbara Bush on "Good Morning America,"
March 18, 2003
SHE needn't have worried. Her son wasn't suffering. In one of the several pieces of startling video exhibited for the first time in Michael Moore's "Fahrenheit 9/11," we catch a candid glimpse of President Bush some 36 hours after his mother's breakfast TV interview - minutes before he makes his own prime-time TV address to take the nation to war in Iraq. He is sitting at his desk in the Oval Office. A makeup woman is doing his face. And Mr. Bush is having a high old time. He darts his eyes about and grins, as if he were playing a peek-a-boo game with someone just off-camera. He could be a teenager goofing with his buds to relieve the passing tedium of a haircut.
"In your wildest dreams you couldn't imagine Franklin Roosevelt behaving this way 30 seconds before declaring war, with grave decisions and their consequences at stake," said Mr. Moore in an interview before his new documentary's premiere at Cannes last Monday. "But that may be giving him credit for thinking that the decisions were grave." [...]
Whatever you think of Mr. Moore, there's no question he's detonating dynamite here. From a variety of sources - foreign journalists and broadcasters (like Britain's Channel Four), freelancers and sympathetic American TV workers who slipped him illicit video - he supplies war-time pictures that have been largely shielded from our view. Instead of recycling images of the planes hitting the World Trade Center on 9/11 once again, Mr. Moore can revel in extended new close-ups of the president continuing to read "My Pet Goat" to elementary school students in Florida for nearly seven long minutes after learning of the attack. Just when Abu Ghraib and the savage beheading of Nicholas Berg make us think we've seen it all, here is yet another major escalation in the nation-jolting images that have become the battleground for the war about the war.
"Fahrenheit 9/11" is not the movie Moore watchers, fans or foes, were expecting. (If it were, the foes would find it easier to ignore.)
